In Signs are knocking at your door with their new single

In Signs boast the latest melodic rock sound coming all the way from Kyiv, Ukraine. The three-piece band bring with them an immense new single that builds and builds until you are about to explode – and you want to do it all over again!

Introducing the rock track you never knew you needed, ‘Knock Knock’ is the first of several new songs from the trio, hoping to inspire new and old listeners and show the world that In Signs really mean business.

You can watch the brand new lyric video down below!

Combining something old and faithful with a twist of something new, atop influences from their Slavic upbringing, the new single really sets in stone what In Signs are about, simply through one song. The harsh, constricted vocals convey emotion that is only heightened by the incredible melody from the rest of the band.

It’s so important to be true with people who listen to your music and this is our main goal. There are a lot of artists nowadays but not all of them are doing art. We want to prove that music is not about money, it’s about the passion of your life. I’m a closed person and making music and writing lyrics is a perfect way for me to communicate with people. I become a songwriter by chance. I didn’t want to be a musician, it just came up after my first tattoo which is Metallica’s song title ‘Nothing Else Matters’. It’s such a great pleasure to play live some songs which I created from the very beginning. There are a lot of ways to create music but all our songs start from an acoustic guitar and vocals. ”

– Arsen, frontman of In Signs.

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Rawk Like an Egyptian – Cursed Epic Metal from Homerik

If you’re going to make an album, you might as well throw everything at it like Homerik have. A New York three-piece, seemingly supplemented by, a cast of thousands, from female sopranos to players of ethnic instruments (in fairness, it’s not actually clear who the guitarist in the band is), they have the friendly, symphonic gushing of Nightwish; the quasi-Egyptian doomsaying of Nile and the tongue-in-cheek portentousness of Ghost or Mercyful Fate. It’s somewhat startling on first listen, and not entirely successful but repeated listens reveal a band with a lot of ideas, who perhaps need to cut back on the quantity and concentrate more on the quality.

The lead track, which we are promised a video for at Halloween, A Song of the Night Part 1, is a case in point. At over seven minutes long, it lacks nothing in ambition but spreads every elements of their arsenal to the limits…sadly to the point of snapping point. The orchestral backing is impressive in concept but is somehow more Casio keyboard than lush strings, while the heavy sections are somewhat clunky. Worse, the threat of a second part and beyond, just fills you with the dread of a band taking themselves far too seriously and no-one having the guts to say ‘stop’.

It’s well worth sticking with Homerik though – Curse of the Black Nile, which far from an original idea (an ancient cannibalistic curse features within the lyrics), does at least pack in oodles of atmosphere and shows a band with real power in their ranks, something which they release too infrequently. Best of all is Wendigo, the opening screams and slow build of chest-bursting percussion giving way to some top-notch atmospherics. A real blood-chiller and a great indication of what Homerik have to offer in the future, hopefully.