Meshiaak Unveil Official Video For City Of Ghosts + North American Support Tour With Testament, Black Dahlia Murder and Municipal Waste

Meshiaak Unveil Official Video For City Of Ghosts + North American Support Tour With Testament, Black Dahlia Murder and Municipal Waste

MESHIAAK
New album: Mask Of All Misery
Out Now
Via: Mascot Records / Mascot Label Group

Check out the official video for the City Of Ghosts:
https://youtu.be/0nAYOwJICSQ

Meshiaak will also be supporting Testament on their North American Tour with Black Dahlia Murder and Municipal Waste.

Meshiaak return with the official video for City Of Ghosts, taken from their blistering second album Mask Of All Misery, which is out now via Mascot Records.

Speaking about the video, Guitarist Dean Wells offers, “The video clip was a really fun experiment. Filming it, and directing it ourselves, we tried to capture the vibe of the song and the fun we had playing it.  I think it came up great! We hope you enjoy it!”  Singer Danny Camilleri adds, “Crank this up and bang your damn heads!

Meshiaak will join The Black Dahlia Murder and Municipal Waste in supporting Testament on the band’s Spring North American Tour.  The excursion brings the band to The U.S. and Canada for the first time from their native Australia. Camilleri shares, “We could not be happier to finally be coming through the United States and Canada, and what better way to do it than with Testament, Black Dahlia Murder and Municipal Waste. You will not want to miss this tour.”

It has been three years since the Australian quartet’s debut album ‘Alliance of Thieves’ dropped, which married dark undertones, heavy grooves and sophistication whilst retaining old-school metal values. Upon its release Metal Hammer applauded its “modern power/thrash metal attack,” Powerplay exclaimed that the album “bludgeons and berates the senses with incredible precision and astounding musicianship” and Classic Rock revelled in the “mix of brooding progressive metal and heavy rock.”

So, it’s no surprise then, that the band are back to continue the story and have a new member and renewed energy. Formed in Melbourne, by 4ARM’s Danny Camilleri and Teramaze’s Dean Wells with bassist Andrew Cameron, they have recruited drummer David Godfrey who replaces Jon Dette, following his departure due to logistical reasons with him being based in the US and the rest of the band in Australia.  

Mask Of All Misery’ is an album that journey’s through a maze of toxic influences and the masks the exponents wear. “The album deals with a lot of personal reflection and issues as well as attacking or addressing much broader issues concerning perhaps the ignorance of society in regards to what’s going on around us all,” explains Camilleri.

The album barely takes a breath through the ten songs and deals with personal struggles and the inner-strength to pull yourself through as well as burrowing into the dark underbelly for an album of uncompromising heaviness. However, the band have an ability to sprinkle light, adding visions of hope lyrically and a strong sense of melody throughout the unrelenting power and musicianship of the four members.

The album was recorded and produced by Dean Wells at his Wells Productions studio in Melbourne with the songwriting partnership of Camilleri Wells. Talking about the recording process Camilleri says “We generally have an idea of how many songs we want for an album, we aren’t the kind of band that writes 20 tracks and picks the best 9 or 10 to go on the album, if something doesn’t grab us early we tend to just throw it in the bin and work on something that does! We demo every track to almost album quality before even looking at officially beginning recording, then we’ll sit on it a bit and let it digest.

Expanding on how the writing relationship works he explains, “We don’t designate or anything like that, either Dean will come up with something cool or I will, we’ll work on it from that point until it evolves into what we envisioned in our head, though a lot of the time the song will take on a completely different face than when we first began work on it, that’s one of the most enjoyable parts about the writing process with Meshiaak. We never stop pushing the boundaries for ourselves and seeing where we can take something. I love the creative part of it all.